Friday, March 20, 2009
- Dante: "In that part of the book of my memory...there is a saying 'Here beginneth the new life."
I first heard this quoted by the holographic doctor in Star Trek: Voyager.
"...layers of text of varying hues & degrees of opacity." So visual!
- Myth:
Notes: C.S.Lewis
Re. Myth & Universal Truths:
“In the enjoyment of a great myth we come nearest to experiencing as a concrete what can otherwise be understood only as an abstraction. At this moment, for example, I am trying to understand something very abstract indeed—the fading, vanishing of tasted reality as we try to grasp it with the discursive reason. Perhaps I have made heavy weather of it. But if I remind you, instead, of Orpheus & Eurydice, how he was suffered to lead her by the hand but, when he turned round to look at her, she disappeared, what was merely a principle becomes imaginable. You may reply that you never till this moment attached that ‘meaning’ to that myth. Of course not. You are not looking for an abstract ‘meaning’ at all. If that was what you were doing, the myth would be for you no true myth but a mere allegory.1 You were not knowing, but tasting; but what you were tasting turns out to be a universal principle. The moment we state this principle, we are admittedly back in the world of abstraction. It is only while receiving the myth as a story that you experience the principle concretely.
When we translate we get abstraction—or rather, dozens of abstractions. What flows into you from the myth is not truth but reality (truth is always about something, but reality is that about which truth is), &, therefore, every myth becomes the father of innumerable truths on the abstract level. Myth is the mountain whence all the different streams arise which become truths down here in the valley; in hac valle abstractionis.2 Or, if you prefer, myth is the isthmus which connects the peninsular world of thought with that vast continent we really belong to. It is not, like truth, abstract; nor is it, like direct experience, bound to the particular.”3
1 Here Lewis is using ‘allegory’ to mean ‘naïve allegory’ as Kellog presents it in his Preface to the Fairie Queene. There is, apparently, at least to Kellog & others, a more subtle, complex (or sophisticated?)form of allegory. I’ve only begun to explore that. It does appear, however, that there is a form of story-telling that combines the 2, combines the power of myth w/ the symbolism of allegory without violating the experience, the mythic impact of the story. The Odyssey seems to fit this description, the story of Perseus & Medusa, various Star Trek’s & other SciFi’s at their best, also (S.T.:TNG’s “Remember Me,” “John Doe,” & “Farpoint” come to mind, also StarGate’s story of Daniel in the Sarcophagus w/ his friends in the mines, which reminds me of another S.T., “Cloud City(?)”—a similar meaning in a different story).
2 “In this valley of separation.”
3 C.S.Lewis, ed. Walter Hooper, The Grand Miracle & Other Essays, “Myth Became Fact,” (New York, Ballantine Books, 1970), pp. 40-41.
Library
Television
Authors & Works
- Asimov
- Clark, Arthur C.
- Philip K. Dick
- Edleman, ?
- Hendrix The Labyrinth Key
- Levinson, Paul The Consciousness Plague
- Stephenson, Neal Snow Crash
Topics
Cyberspace: Rise of the digital world, online & offline & inline, as not only access to information & virtual reality, but also as a virtual world.
- Hendrix, Levinson, & Stephenson (cited above)
- Edleman, Infoquake -- A future world in which data is manipulated directly & visually. Relate to Visual Mapping Graphics & examples in SciFi series, Andromeda, in which Harper, as genius engineer, manipulates data in an external data field, also in an internal data field accessed by plugging in via cyber implant. Both Stephenson & Hendrix explore similar themes though characters enter virtual reality not only to explore & manipulate data but also for entertainment & social interaction, environments replete w/ a variety of neurologically targeted dangers.